简介：The artists' renditions of appropriated films are certainly not “lossless” (i.e. a copy of the origiThe artists' renditions of appropriated films are certainly not “lossless” (i.e. a copy of the original in which nothing is lost), but rather gainful: through various techniques of digital disruption – compression, file-sharing, the removal of essential digital information – the artists reveal the gain of a “new” media, full of material forms ripe for aesthetic sleuthing. BRAXT...详情
